Indigenous
Hetti Perkin's 4th Indigenous Triennial encourages everyday ceremony
ArtsHub speaks with Aboriginal curator Hetti Perkins about the 35 artists shaping the next Indigenous Triennial and how ceremony is…
Leading from the front: how an MFA helps realise your vision
Ali Murphy-Oates, the Managing Director of Sydney-based company Moogahlin Performing Arts and a proud Wailwan woman, has her eyes firmly…
Book Review: Born into this by Adam Thompson
Born into this by Adam Thompson is a collection of short stories about Aboriginal identity in Tasmania, and contains thoughtful…
First opera sung entirely in Noongar language commissioned in WA
A new commission will retell a story of sibling rivalry that’s been shared for generations on Noongar boodja in south-west…
Review: 2020 Biennale of Sydney (NSW)
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate…
Review: Beethoven 9, Circa and Cheetham, Arts Centre Melbourne (VIC)
Just as Beethoven’s Ninth blends instrumental music and choral music to thrilling effect, so too the fusion of orchestral music…
Career spotlight on Indigenous dancer and change-maker
How Marilyn Miller uses her artistic practice to lift people up and lead change.
Telling our story: how BlakDance are supporting artists and growing audiences
From professional development and residency programs to producing artist developments On Country, BlakDance has had a busy 2018 and shows…
How dance connects First Peoples on the world stage
The opportunity to explore cultural connections goes well beyond the sharing of art – it connects with cultural values; our…
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.