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Aboriginal man talking to a group of people for a cultural learning workshop at Koori Heritage Trust
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A figure standing next to a large unstretched canvas on a white wall, depicting thick circular strokes in yellow, orange, green, purple and red.
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Art Basel Hong Kong 2025 welcomes Australian ambition

As things get heated on home turf, the international potential of Australian arts practitioners continues to expand.

A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
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Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

Two first nations women standing in front of a painting. Aboriginal art.
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APY Art Centre Collective vindicated, but calls for wider sector inquiry

APY Art Centre Collective has been cleared of any wrongdoing via creative interference, but says the two-year ordeal demonstrates a…

Midpul, a First Nations male Elder, sitting and painting with a brush, making lines and dots in ochre.
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Northern Territory artists shine at Charles Darwin University

The institution has launched a new gallery in the heart of the city to showcase the region's artists.

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YIRRAMBOI expands globally, welcoming Northern Turtle Island, Canada as its 2025 Focus Nation

The Naarm/Melbourne-based First Nations festival is taking a step towards global cultural unity and collaboration. 

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Defining First Nations exhibitions that will shape 2025

A calendar of must-see First Nations art exhibitions in 2025.

Woman with curly hair wearing black dress with white circles and surrounded by Aboriginal art. Nici Cumpston
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First Nations curator Nici Cumpston to lead US collection

She will be Kluge-Ruhe's first First Nations Director in its 26-year history.

Bronze canoe stolen as part of public artwork, shown prior to its theft. A canoe made out of bronze laying on the ground in an outdoor setting next to some rocks.
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Aboriginal bronze sculpture cut through and stolen

"They will get a rude shock when they realise it can't be sold as copper," says artist Julie Squires.

Sara Cwynar, ‘Red Film’, 2018, to be presented by Cooper Cole at the Melbourne Art Fair 2025. The photo shows four female-presenting figures dressed in red collared shirts. Two are sitting while two stand behind them, with their hands on the heads of those seated.
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Melbourne Art Fair 2025 program revealed, focused on being female-led and First Peoples art and design

Programming across gallery booths, video, installation, and an early-glimpse showcase, Melbourne Art Fair 2025 is driving new purpose.

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