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The Theatre of War. Image is a young woman in a white jacket with a blue stripe around the arm, hair in a bun, shot from the back and looking out to sea.
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The Theatre of War: Stanislava Pinchuk video art to premiere at ACMI

Ukrainian-Australian artist Stanislava Pinchuk compares 'The Iliad' with ongoing conflicts in a three-channel video artwork.

Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
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(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
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Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
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Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

AIDS quilt on view at ‘Bloodlines by The Huxleys’. Photo: Supplied. A large quilt hangs inside a darkened gallery space with portrait photos of the many who lost their lives in the AIDS epidemic.
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Exhibition review: Bloodlines by The Huxleys, Abbotsford Convent

An incredibly moving exhibition that pays tribute to artists who lost their lives in the AIDS epidemic.

'Nicholas Burridge: Built Geologies' installation view at Canberra Glassworks. Photo: Brenton McGeachie. Exhibition in an industrial space with concrete floor and white walls. A metal structure is at the centre, shaped like a narrow staircase.
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Exhibition review: Nicholas Burridge: Built Geologies, Canberra Glassworks

Nicholas Burridge presents interventions in basalt and explores ancient formations alongside man-made architectural structures.

Kezia Hayter, Unidentified women of the convict ship, HMS Rajah, ‘The Rajah quilt’, 1841. National Gallery of Australia, gift of Les Hollings and the Australian Textiles Fund 1989. Image: Supplied. A patchwork quilt with floral motifs and lettering on the bottom centre.
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Fashion, craft and design calendar 2024

What’s on in fashion, craft and design this year, including exhibitions, fashion festivals, art trails and makers' markets.

PICA. Bunuru. First Nations commission by J D Penangke will be unveiled for PICA’s new entrance while under redevelopment. Photo: Supplied.
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PICA adapting program to revamp

While redevelopments are underway, PICA unveils its first 2024 program, Bunuru, with new commissions and a solo show of pioneering…

Melbourne Art Fair 2022. Photo: Marie-Luise Skibbe. People standing inside the Melbourne Convention and Exhibition Centre surrounded by artworks. Seen in the photo are installations that look like weird colourful organisms.
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Melbourne Art Fair gearing up for ‘mammoth edition’

The 2024 Melbourne Art Fair program will feature large-scale installations, site-specific dance, conversations, experimentations and more.

Left: Lavinia Fontana, ‘Mystic marriage of Saint Catherine’, 1574-77 oil on copper. NGV, Felton Bequest, 2021. Image: Supplied. Right: Artemisia Gentileschi, ‘Lucretia’, c.1630-35 oil on canvas. Private collection. Image: Supplied.
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Do you know the first female professional artists in Western history?

Lavinia Fontana, Sofonisba Aguissola and Artemisia Gentileschi sustained rewarding artistic practices with an entrepreneurial mindset.

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