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A steel installation with a video projection screen on the right hand side, resembling a ramp for motorcycle stunts. It is installed inside a dark gallery space.
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Exhibition review: Tina Stefanou, You Can't See Speed, ACCA

‘You Can’t See Speed’ is a cinematic roller-coaster by Tina Stefanou, featuring blind motorcyclist Matthew Cassar.

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Exhibition review: The Charge That Binds, ACCA

Uniting disparate strands of ecologically-engaged art, the exhibition covers vast geographical distances and pressing topics.

ArtsHub's On the Move column is a weekly round-up of career comings and goings in the Australian cultural sector. The photo shows four planes at an air show, each climbing in different directions against a blue sky and leaving smoke trails behind them.
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On the move: latest arts sector appointments

Our weekly round-up of comings and goings in the Australian cultural sector.

'Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis' installation view at ACCA. A room with gray walled filled with large paintings. In the left corner is an area with a black sofa and small video projected on the wall.
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Exhibition review: Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis, ACCA

The Tennant Creek Brio artistic collective presents a landmark survey with reclaimed mining maps and a wasteland archangel.

Myles Russell-Cook to lead ACCA. A young First Nations man with pale skin, short cropped brown hair and beard, wearing large clear frame glasses and a t-shirt with the text 'To look/without fear', standing in front of a colourful painting with dot work.
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Myles Russell-Cook moves from NGV to ACCA as Artistic Director and CEO

Taking the reins from Max Delany, Myles Russell-Cook looks to cement ACCA as a leader in contemporary Australian art.

'Future Remains: The 2024 Macfarlane Commissions', installation view at ACCA. A darkened exhibition space filled by an installation towards the foreground of the photo. It features terracotta sculptures on wooden plinths made with discarded material.
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Exhibition review: Future Remains: The 2024 Macfarlane Commissions, ACCA

Large-scale works grounded in material investigations shine at the 2024 Macfarlane Commissions, but is it still helpful to put emerging…

Laure Prouvost, ‘Gathering Ho Ma, The glaneuse’, 2023, installation view at ACCA. Photo: ArtsHub. An installation of many components include a makeshift camp with red dirt and branches, seats, a hanging lightbulb shaped like a breast.
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Exhibition review: Laure Prouvost: Oui Move In You, ACCA

Layers of storytelling and humour that leave viewers wanting more.

translation. image is of pink Indonesian text embroidered on a white background.
Features

Finding power in (not providing) translation

‘James Nguyen: Open Glossary’ considers the nuances of translation and being multilingual. What happens when we shift the dynamics of…

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Exhibition review: Between Waves, ACCA

The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.

Mithu Sen at ACCA
Features

Language, hospitality and discomfort in the work of Mithu Sen

mOTHERTONGUE is a dense, mid-career survey of Bengal-born artist Mithu Sen that escapes simple definitions.

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