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How street art can revitalise a city
Postponed due to COVID, the first edition of the Fivex Art Prize will soon be announced with artworks to be…
Theatre Review: Ripcord, State Theatre Company of SA
An impressive battle of wills for a bed with a view.
Why flexibility is the new normal for art and photography
The introduction of a diverse array of elective subjects across four Masters programs in RMIT’s School of Art is intended…
My biggest art mistakes and what I learned from them
‘I’ve learned so much from my mistakes, I’m thinking of making a few more!’
20x20: Disability access versus disability-led?
With International Day of People with Disability this week, we take a look back through our archive at how well…
Applause: Latest funding and awards announced
Winners of M16 Drawing Prize announced; film and TV industry greats honoured in AACTA awards; FUSE Fund recipients, plus more…
Meet our keynote speaker: Hyperallergic editor Hrag Vartanian
Editor-in-chief and co-founder of New York-based arts news site, Hyperallergic, Hrag Vartanian will present the keynote speech for Artshub’s Visions…
On the Move: Latest sector appointments and departures
Copyright Agency announces new board members, Windmill's Associate Director, landscape architect joins Sydney Modern project, and more.
Opinion: Is the Victorian Budget 2020-21 enough to revive our creative economy?
Victoria's Shadow Minister for the Arts, David Davis, argues that the state needs to safely increase its audience capacity in…
Dance Review: SITU-8, State Theatre Centre of WA
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true…
