National
Opera Review: Lorelei, Opera Queensland
Opera Queensland's Lorelei is an intoxicating mix of musical, opera, cabaret and burlesque.
What getting Aboriginal art advocacy right looks like
Desart does professional development well – from a mentoring Photography Art Prize, to nurturing business skills for arts centres, and…
Rebelling against the norm to thrive as a creative
At Pause Fest’s Why Creativity Matters panel, professionals from fields including advertising, design and technology discuss the value of being…
On the Move: Women in power appointments and departures
First Nations women appointed to key roles at both Melbourne Symphony Orchestra and Australian Museum, new company artist joins Australasian…
Theatre Review: Medea (Adelaide Festival)
A livestreamed theatre production from Amsterdam that refreshes the ancient story.
Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)
An industrial, abstract dance work surprises with its intimate human touch.
Theatre Review: Black Brass by Mararo Wangai (Perth Festival)
An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.
Opinion: The Greens' plans for the arts in WA
The continual underfunding of the arts does more than deprive arts workers of pay and job security. It deprives our…
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…