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Are we not drawn onward to a new erA. The image is of a single person wearing a nose/mouth mask on a stage holding up a smoking flare, surrounded by smoke with bits of detritus - fabric - at their feet.
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Performance review: Are we not drawn onward to new erA, State Theatre of WA, Perth Festival

Does 'Are we not drawn onward to new erA’ show us how things are’?

A man is seated at a table. A woman is standing above him. They are both in 1930s period costume.
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Theatre review: Gaslight, Playhouse Theatre, QPAC

A revitalised production of Patrick Hamilton's play blends contemporary norms alongside classic thriller tropes with mixed results.    

Logue Lake: a male actor holding a coffee mug, standing on stage framed by an open window with curtains at the side.
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Theatre Review: Logue Lake, Perth Festival

A new take on the thriller genre offers many twists, with some revelations landing better than others.

Emily Sheehan. Photo: Supplied. A young white woman with shoulder-length blonde hair and smiling at the camera. She is wearing a black tshirt and standing in front of a vibrant wall mural.
Career Advice

So you want my arts job: Playwright

Emily Sheehan shares the realities of her work as a playwright, her advice for others starting out and crucial skills…

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Performance review: Briefs – Dirty Laundry, Sydney Mardi Gras

A Mardi Gras headline act, this queer acrobatic troupe returns for more mischief.

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Theatre review: Fast Cars, Bathurst Memorial Entertainment Theatre

A big-hearted drama that revolves around the Bathurst 1000 races.

A curly-headed young man in traditional Sri Lankan dress dances joyfully on a bare stage.
News

Counting and Cracking: RISING to stage Belvoir’s acclaimed theatrical epic

The Melbourne season of S. Shakthidharan’s multigenerational drama is being co-produced with University of Melbourne Arts and Culture.

Features

Perth Festival midpoint round-up

Halfway through Iain Grandage's fifth and final Perth Festival and there's plenty of entertainment and provocation to enjoy. Even for…

Three people are hanging out of a yellow car, which has cut-off panels. Stunt Double.
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Theatre review: Stunt Double, Perth Festival

Inside the filming of a 1970s Aussie action flick – with cast, crew, stunt doubles and volunteers.

Meet Me at Dawn. Two women on a small stage set of a two sides of a broken down wall (with a door in one and window in the other), blue sand beneath. One woman is seated leaning back and the other is standing and gesturing with her palms face up.
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Theatre review: Meet Me at Dawn, Arts Centre Melbourne

Losing your bearings in this play about grief and loss.

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