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Exhibition review: Hoda Afshar – A Curve is a Broken Line, AGNSW

This exhibition is the artist's first major solo and lives up to the visual and contextual depth of her works.

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Exhibition review: Know My Name: Making it Modern, NGA

The third instalment in the NGA series, ‘Know My Name: Making it Modern’ is a beautiful show that encapsulates Australian…

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Exhibition review: Zoe Leonard: Al río/To the River, MCA

Despite the exhibition containing hundreds of photos, it’s what we don’t see that leaves the biggest impression.

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From Tate Modern to Newcastle, Atong Atem is making an impact

Atong Atem's photography allows the past and the future to co-exist in powerful ways, and it's being noticed internationally.

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When generosity in art prizes pave the way

The National Photography Prize welcomes complete works or concepts still in development to encourage expanded thinking on the photographic medium.

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Photo biennale celebrates milestone with the power of people

The 10th Ballarat International Foto Biennale is filled to the brim with works that tell people’s stories and leave a…

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Exhibition review: Jemima Wyman, Sullivan+Strumpf, Melbourne

With each meticulously constructed collage, Jemima Wyman’s solo exhibition ‘World Cloud’ offers viewers transcendence.

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The darkness of the image

‘Walking Through the Darkness’ at Centre for Contemporary Photography grapples with the paradoxes of darkness, technically and thematically.

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Exhibition review: The Huxleys: DisGraceland, Abbotsford Convent

Love, expression, freedom and glam in The Huxleys’ latest exhibition ‘DisGraceland’, commissioned by Vogue Australia.

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Exhibition review: ngaratya, Bunjil Place Gallery

A lyrical and beautiful exhibition that reminds us to step lightly on Country.

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