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Exhibition Review: William Yang, Seeing and Being Seen, QAG

Celebrating the flaws in real life lived, one feels equally a voyeur and a participant in William Yang's narratives.

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Exhibition Review: Rebecca Belmore, Griffith University Art Museum

Belmore's work positions the viewer as a witness and encourages us all to face what is monumental, and a shared…

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Exhibition Review: Mervyn Bishop, National Film and Sound Archive

Australia's first Indigenous photojournalist Mervyn Bishop helped shaped Australian narratives. This exhibition looks at 60-years of his iconic images, as…

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What getting Aboriginal art advocacy right looks like

Desart does professional development well – from a mentoring Photography Art Prize, to nurturing business skills for arts centres, and…

Features

Q&A: Artist Wiliiam Yang on growing up gay and Chinese

He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…

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Lighting the FUSE on an explosion of community creativity

Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…

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The rise in First Nations arts jobs

ArtsHub jobs data shows that there has been a strong increase in the number of positions for First Nations professionals…

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Lisa Havilah on programming for the future

Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…

Features

Soft politics or celebration? How the arts promote diversity at Lunar New Year

Is it just a calendar date, or is it opportunity to promote acceptance and diversity via the arts? We speak…

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Stats out on Biennale of Sydney; we take a look at COVID’s impact

Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…

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