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Review: Mighty, Bathurst Memorial Entertainment Centre

Mighty is an exceptional new drama developed by Adam Deusien in collaboration with Alison Plevey, and one of Australia’s most…

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Review: Dada Masilo’s Giselle, Perth Festival

In the hands of South African choreographer Dada Masilo, Giselle’s journey to the spirit world is captivating, but its strengths…

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Review: Twisted Element's Ritual

Ritual is a meditative and trance-like performance with sudden explosions and changes of mood and tone.

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Review: Dead Cat Bounce, Griffin Theatre Company

Dead Cat Bounce, from Mary Rachel Brown, plays out a witty, comic and ultimately very moving story.

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Review: Matt Tarrant: MORE Unsolved, Adelaide Fringe Festival

Award-winning Adelaide illusionist Matt Tarrant returns to the Adelaide Fringe for another season of trickery.

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Review: Desert River Sea, Art Gallery of Western Australia

Six years in the making, and funded to the tune of $1.8M, Desert River Sea doesn't disappoint and offers a…

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Review: Werther, Opera Australia

A breezy opera that spirals into romantic tragedy, Werther is one of opera's most performed productions and it returns to…

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Review: Harry Potter and the Cursed Child, Princess Theatre, Melbourne

Presented as two full-length plays, which audiences can see on consecutive nights or back to back on the same day,…

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Review: Sara Macliver in Concert with Camerata, QPAC

The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.

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Review: Swell 4.0 – Music as Medicine

A live-music experience that puts you front and centre of making, listening, sharing and reminiscing about music that moves.

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