Reviews
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Review: Anita Johnson Larkin at Wollongong Art Gallery
Anita Johnson Larkin has the capacity to transform the autobiographical into the multi-biographic, sharing intimate stories through objects discarded by…
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
Book Review: 'How I Clawed My Way to the Middle' by John Wood
John Wood's autobiography is written with great warmth and passion, acknowledging the transitory essence of the theatre world.
Book Review: 'The F Team' by Rawah Arja
'The F Team' presents a perspective on Lebanese Australia that is an overdue addition to the #LoveOzYA bookshelf.
Book Review: 'The Convict Valley' by Mark Dunn
In 'The Convict Valley', historian Mark Dunn seeks to tell the stories of those typically overlooked by Australian history.
Book Review: 'Every Day Creative: A Dangerous Guide to Making Magic at Work' by Mykel Dixon
Mykel Dixon's creativity manual asks the reader to record how they think they will be remembered after they are dead…
Book Review: Broken Rules and Other Stories by Barry Lee Thompson
Barry Lee Thompson's debut short story collection examines the subtle interactions of people who find themselves in situations mostly outside…
Book Review: Where We Begin by Christie Nieman
Christie Nieman’s second YA novel speaks of merged polarities, rewritten histories, and the double-edged sword of family legacy.
Book Review: 'Revenge: Murder in Three Parts' by S.L. Lim
In 'Revenge: A Murder in Three Parts,' Lim vividly evokes the complex way domestic abuse can be so damaging to…