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Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)

The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…

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Theatre Review: House (Perth Festival)

A story of such depth and nuance that there is enough to tantalise both children and adults alike.

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Theatre Review: STC's Playing Beatie Bow

A joyful production to appeal delightfully to young and old.

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Theatre Review: Fangirls (Adelaide Festival)

A sassy musical that looks into the heart of being a boyband music fan.

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Exhibition Review: Clarice Beckett: The Present Moment, Art Gallery of SA

Take a stroll through the sunlight and shadows with the works of Clarice Beckett.

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Book Review: Growing up Disabled in Australia edited by Carly Findlay

Black Inc’s 'Growing Up' anthologies showcase the first-person experiences of people from a range of marginalised groups. It’s newest offering,…

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Book Review: Repentance by Alison Gibbs

A novel of social and environmental upheaval in a small Australian town in the 1970s.

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Theatre Review: The Pulse, Gravity and Other Myths (Adelaide Festival)

Adelaide’s contemporary circus powerhouse return to the stage with a bold new work that is unlikely to have been made…

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Theatre Review: Young Frankenstein, Hayes Theatre

This often nonsensical pastiche of a show features great production and an eight-person cast work hard for their money –…

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Exhibition Review: A Forest of Hooks and Nails, Fremantle Arts Centre (Perth Festival)

A Forest of Hooks and Nails is a joyous exhibition about the art of hanging art, writes Ted Snell.

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