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Head of Sector Development role created and appointed at the Australia Council, City of Melbourne appoints Creative City Director, and more.
Joseph Sherman’s play is a brave, outstanding work that confronts the experience of Alzheimer’s.
An empathetic production about a community almost never seen onstage.
Led by writers, Sci-fi proposals are flooding into the sector. Are we reaching for the stars or squelching in drivel?
Opinions & Analysis
Arts education is a powerful way to prevent prisoners from reoffending once they leave jail.
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and South Australian artists.
While Seven tries polite menace with Feds, it may itself turn out to be sold to the highest bidder.
Andrew Forrest’s Fortescue Metals Group being the principal sponsor of Black Swan State Theatre Company raises potential governance concerns, given that Forrest’s wife Nicola is the company’s Chair.
Asia TOPA presents a high-energy musical delight with extraordinary use of video.
Powerful, riveting, and deserving of wider recognition.
Artistic Director Brook Andrew says, 'NIRIN is not a periphery, it is our centre'. We take a look at two venues on the edge for this year's Biennale of Sydney to see how grass roots engagement is redefining the centre.
Our fortnightly roundup of news, plus stories you might have missed.
A fistful of narratives converge in a searing portrait of absurd and brutal immigration policy.
Which two Australian-influenced characters are both anchoring a sequel in the cinemas right now?
It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell.
The union, which is made up of 85 employees, is a watershed moment for tech companies – and an exciting step forward for screen producers who rely on crowdfunding.
Bringing Undertow to the cinemas is a ten year labour of love and patience. Producer Lyn Norfor takes us from development to the last financial obstacle.
Adelaide Riverbank features new public artwork, Griffin Theatre’s Batch Festival program announced, Australian Festival of Chamber Music releases 30th anniversary program plus more news.
Designer Anna Tregloan describes how she has brought Hamlet’s wintry world to the stage for Bell Shakespeare’s 30th anniversary.
Composers from almost every state and territory, half of them women, have been commissioned to create works across a broad range of styles and lengths.
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