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Opera for the Dead performance shot, featuring two movable stages, each with a performing standing at its centre, slightly obscured by black stingy curtains. The image is dark other than the stage being slightly illuminated from below.
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Performance review: Opera for the Dead (祭歌), Asia TOPA 2025

A cyber-opera that deserves the world stage.

A young man, Joseph Keckler, in black lying on a couch with his eyes closed.
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Music review: An Evening with Joseph Keckler, Brunswick Ballroom

Playing across different styles and genres, this musician is experimental and entertaining.

Man walking past a large street art mural at dusk. Wall to Wall festival
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A town of street art welcomes the return of Wall to Wall Festival

Many Australians wouldn’t know where Mordi Village is, but it is on the radar for many international street artists.

Caroline Lee, with brown hair in pony tail and wearing blue top, is tussling with Peter Houghton, a man with grey hair in a suit. Honour.
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Theatre review: Honour, Red Stitch Actors’ Theatre

An excellent production of a 30-year-old play, but it does feel a bit dated.

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

Design

Certificate IV in Design

Study Mode:

 In Class

A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
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Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

Two women and five men inside a house. You can see a darkened sky outside.
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Theatre review: And Then There Were None, Comedy Theatre

The best selling crime novel of all time receives another stage adaptation.

LON Gallery Booth C2 with a duo presentation of Jeremy Eaton and Stephen Benwell, installation view, Melbourne Art Fair 2025. A white walled space inside a grey convention centre. On the walls are canvases of soft yellow, green, orange and purple hues, while small earthenware sculptures are lined up on a plinth in the centre of the space.
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Best of Melbourne Art Fair 2025

ArtsHub's annual round-up on what to see at Melbourne Art Fair.

An African Australian woman with long dark haired tied back, a Caucasian woman with a messy blonde bun, an Indian man with a black bun and a Caucasian man with short blond hair sit around a pit with sand in it drinking espresso martinis on stage set decorated like a Turkish restaurant. Never Have I Ever, Melbourne Theatre Company.
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Theatre review: Never Have I Ever, Fairfax Studio

Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.

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