Sydney
What sustains staff in an event economy
Staff, who have worked with Sculpture by the Sea for over a decade, speak about what is needed to keep…
City Council’s art collection revived through Collective Knowledge
The Collective Knowledge project developed by Campbelltown Arts Centre displays community responses to works held by the City Council.
New Powerhouse commission places writers in museums
In the first of a new writing series linked to its collection, Powerhouse focuses on pioneering computer programmer Ada Lovelace,…
Dance review: Angela Goh Axe Arch Echo, AGNSW
Goh's meta-narrative of obstruction and negative space projected intrigue in fearful symmetry.
Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre
Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…
Phantom’s Sarah Brightman to star in new Australian production of Sunset Boulevard
‘All right Mr DeMille, I’m ready for my close-up’: Brightman to play deranged silent picture star Norma Desmond in lavish…
Vale Jacqueline Dark
The 'indefatigably upbeat' Australian mezzo-soprano died this week, aged just 55.
Performance review: Tender, the Vault, Sydney Fringe Festival
This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.
Shining a spotlight on South Asian Australian theatre
Why you should care about South Asian Australian theatre companies and their futures.
Performance reviews: Best of the Fest and Me, My Cult & I, Sydney Fringe Festival
These performances remind us that independent art can be charming, but not always perfect.