New South Wales
Inconsistencies in NSW funding as $50M fund announced
Within days of the NSW Government announcing a lifeline of $50 million to arts company, a scathing account accuses rampant…
Creating a character in confinement
Acting classes have had to evolve because of COVID-19, resulting in some remarkably liberated performers.
Review: Breaking Glass, Sydney Chamber Opera
Sydney Chamber Opera creates a riveting online experience with works by four female composers.
So you want my arts job: Artistic Director
If you can balance strategy, business and networking with creative inspiration, then working as an artistic director might be the…
COVID-19 stops Sydney Film Festival
Here is the message from Chair Deanne Weir, CEO Leigh Small and Festival Director Nashen Moodley.
Review: Misfit – Collage and Queer Practice, National Art School/Mardi Gras (NSW)
The exceptionality of queer experience is on glorious display here with jagged wit.
Review: Life is Impossible, Old 505 Theatre (NSW)
Broadway fantasy meets wartime socialist activism to mixed success.
Review: No Pay? No Way!, Sydney Opera House (NSW)
Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.
Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)
A dark and clever work that produces visceral, divided responses from the audience.
Review: Taloi Havini: Reclamation, Artspace (NSW)
Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility,…