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Features

Touch-based theatre: where to from here?

When a touch-based theatre company adapted to social isolation they found new ways to engage with their audiences.

Features

Graduating in the era of social distancing

In the face of campus closures across Australia due to the coronavirus, 2019 graduates are being honoured in a different…

Features

Education, escapism, accessibility: How libraries continue to support us during lockdown

Libraries are enjoying a surge in membership now that people have more disposable time to explore e-resources thanks to COVID-19.

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Book review: Fathoms – the world in the whale by Rebecca Giggs

This book is nothing less than a small masterpiece.

Features

How to ask for money during a crisis

We spoke to seasoned fundraisers for their wisdom on looking for donor support during COVID-19 from readjusting your fundraising strategy…

News

On the Move: Latest sector appointments and departures

OzAsia Festival announces new Artistic Director, new Chair for the MCA, and more.

News

Book review: Prey by L A Larkin

Olivia Wolfe is as tough and as resourceful as anyone who has inhabited the fictional world of crime.

Features

Exit interview: Angela Conquet, Dancehouse

After eight years as Artistic Director, Angela Conquet has moved on from Dancehouse. Here she reflects on challenges, triumphs and…

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You don’t have to shout to be heard: this regional art prize speaks volumes

The Basil Sellers Art Prize has shaped a community for nearly 20 years; now it is shaping a nation. The…

Opinions & Analysis

Why we must put people before companies

Merrigong Theatre Company's Simon Hinton calls for moral leadership and structural change in the arts industry.

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