Darwin
Exit interview: Adelaide Wood, Tracks Dance Company
Adelaide Wood has moved on to new challenges after five years in Darwin with Tracks Dance. Here, she reflects on…
$4.33M in art sales, new record for First Nations sector
Record $4.33 million of Aboriginal and Torres Strait Islander art sold at Darwin Aboriginal Art Fair.
Opening the doors to a practice informed by Country
Charles Darwin University’s new Academy of the Arts will pave the way towards a creative journey that is embedded in…
Northern Territory one step closer to new city gallery
Local company Sitzler will lead the construction of Northern Territory’s new $88 million art gallery, slated to open late 2024.
Santos pulls plug on Darwin Festival sponsorship
A coalition of climate and arts philanthropists has offered $200,000 to Darwin Festival to replace the support of fossil fuel…
Augmenting the past to appeal to new museum audiences
History comes alive with the help of virtual reality technology at Darwin’s Chinese Museum, in a significant collection rehang and…
A tale of two Darwin Festival Artistic Directors
Outgoing Artistic Director Felix Preval and incoming AD Kate Fell sit down together to discuss programming, population, and the unique…
Theatre review: AutoCannibal, Darwin Festival
Physical theatre meets the end of the world in this playfully abject one-man show.
Who won this year's iconic Telstra NATSIAA?
Yolŋu artists continue to dominate NATSIAA, but weaver Margaret Rarru Garrawurra surprises with a powerful work for the top win
Concert review: Bungul, Darwin Festival
A remarkable fusion of Yolŋu culture and the Western classical music tradition performed under the stars for the festival’s opening…