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Opinions & Analysis

I’m so sorry, Shirley Curly: an artist's mistaken identity

Artist Andrew Bairn tells hist story of knocking on the doors of the artistic establishment based on an extract from…

News

On the Move: Latest sector appointments and departures

New board members for Windmill and Bus Stop Films, and more.

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Review: Wansolwara: One Salt Water, UNSW Galleries (NSW)

This is a massive project and offers a massive rethink in the narratives we construct and hold around contemporary Pacific…

Features

Handwritten valentines create a legacy of love and literacy

Writing messages to those we care for fosters a sense of relationship, connection and well-being through literacy, creates meaning and…

News

ICYMI: This week’s arts news in brief

The latest festival and exhibition announcements, opportunities for artists, and a summary of arts news from around the country.

Features

Making craft a national agenda

Australian craft and design centres are tired of falling between the conversation cracks; they have rebooted their network for greater…

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When art comes from a deeper place, it’s palpable

Announcing new dates in September, Parrtjima 2020 is enduring - at once topical and timeless in shareing the stories of…

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Art in the age of disaster

Hope and grief simmer at the centre of two extraordinary live works by Indonesian filmmakers premiering at Asia TOPA.

News

AIDC ready: A creche, Canadians and the coronavirus

What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through…

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Review: What Every Girl Should Know, Brunswick Mechanics Institute (VIC)

Monica Byrne’s play is a subversive, feminist take on the familiar Catholic schoolgirl setting.

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