Australia
Adapting Too Much Lip for screen
Author Melissa Lucashenko talks to ArtsHub about bringing her award-winning novel to the screen.
Are arts grants applications blocked by classist language?
Applying for a grant shouldn't require a specific language but for some there is a class barrier that prevents application.
Is professionalism a dirty word in the arts? (from the archives)
Has too much talk of brand and career management muddied the path of professional practice as an artist? Artistic growth…
Can you ever have too much Beethoven?
University of Sydney’s David Larkin asks, is Beethoven at risk of overexposure?
Book review: Fascists Among Us by Jeff Sparrow
Jeff Sparrow’s concise, incisive analysis of the rise of fascism is the wake-up call we all need.
Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)
A dark and clever work that produces visceral, divided responses from the audience.
Review: Taloi Havini: Reclamation, Artspace (NSW)
Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility,…
Book review: Darkness for Light by Emma Viskic
The third thriller in the Caleb Zelic series portrays Caleb’s deafness skilfully but relies too much on its predecessors.
Review: mi:wi, QPAC (QLD)
Expressive dancers create a beautiful sense of solidarity rooted in Ngarrindjeri culture.
On the Move: Latest sector appointments & departures
Meet DRILL’s new Artistic Director, CIAF's new General Manager, Brisbane Festival’s Marketing and Communications Director, and more.