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History of Violence at Adelaide Festival 2026. A half-naked actor, covered by a bedsheet, sprawls on stage. His image is cast to a screen behind him by the camera held in a second actor's hands; the second actor wears a white plastic forensic jumpsuit.
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History of Violence review: exploring memory, trauma and the nature of truth at Adelaide Festival

History of Violence was stunning proof that the nature of any story, no matter how personal, changes in the telling.

Tyshawn Sorey: Alone at Adelaide Festival 2026. A tall, solidly built African American man with closely cropped hair and a matching beard, and wearing a black business shirt, sits at an open-topped piano.
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Tyshawn Sorey: Alone review – Adelaide Festival 2026

A solo piano recital by Black American composer and multi-instrumentalist Tyshawn Sorey at Adelaide Festival 2026.

Simon Stone's The Cherry Orchard opened Adelaide Festival 2026. Actors stand in front of a glass-fronted house on a large stage, lit blue to indicate it is nighttime. Audience members heads are visible; the photo has been taken in the auditorium, some distance from the stage.
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The Cherry Orchard review: a Korean take on Chekhov at Adelaide Festival

Australian expat Simon Stone returned to Adelaide with an adaptation of Chekhov’s final play, The Cherry Orchard, set in contemporary…

Perle Noire: Meditations for Joséphine. Photo: Andrew Beveridge.
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Perle Noire review: charting the inner life of the iconic Josephine Baker

A powerful fusion of opera and cabaret, Perle Noire delves into Josephine Baker's inner world.

Installation view, Manifest Destiny, Adelaide Festival 2026. Photo: Gina Fairley.
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Manifest Destiny review: Alex Frayne's photographic roadtrip through a national crisis

Poverty porn, fly-in voyeurism or reality beyond the Netflix filter? Photographer Alex Frayne makes us question America’s decay in real…

William Barton. Photo: Supplied.
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Brodsky String Quartet with William Barton review: pioneering UK quartet teams with virtuoso yidaki player

The Brodsky String Quartet's collaboration with yidaki player William Barton was let down by a disjointed program.

Connor Morel's Good Man at Adelaide Fringe 2026.
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Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe

Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…

Pulp frontman Jarvis Cocker at Adelaide Festival 2026. Cocker, a fair-skinned, middle aged man with glasses, raises his right hand high and sings loudly into a microphone. A video screen behind him shows dazzling, colourful images.
News

‘All voices should be heard’, Pulp's Jarvis Cocker tells Adelaide Festival crowd

Cocker's pointed reference to an earlier censorship issue was made as Pulp played the opening night of Adelaide Festival 2026.

Two dancers clad in fetish wear-inspired costumes crouch forward as they jump a woollen rope inside a circle of light on stage. Joshua Doctor and Yilin Kong in ADT's Faraway by Jenni Large at Adelaide Festival 2026.
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ADT’s Faraway review: a writhing, driving techno-primitive delight at Adelaide Festival 2026

Choreographed by Jenni Large, ADT’s Faraway is a rich, erotically charged work, the dance equivalent of howling orgiastically at the…

Two actors stand over a miniature walled garden. One actor, bearded and wearing a cap, lets a handful of stage snow rain down as the other actor, who is female-presenting, watches on delightedly. A scene from The Giant's Garden, part of Slingsby's A Concise Compendium of Wonder at Adelaide Festival 2026.
Features

Slingsby’s last hurrah: a fairy tale triptych in an intimate, custom-built theatre

Adelaide company Slingsby is mounting its final work, A Concise Compendium of Wonder, in a custom-made, environmentally friendly theatre for…

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