Performing Arts
Review: Beethoven: The Piano Concertos - Concert Two, Adelaide Symphony Orchestra
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Review: Dance Nexus, DRILL (TAS)
Involving five schools from southern Tasmania, DRILL’s school’s program explores science through dance.
Ground rules for good governance
Because it can be a tricky thing, Kate Frykberg outlines her ground rules for boards working together in order to…
Review: Hrafn: Conversations with Odin, Dark Mofo (TAS)
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
Top tips for working in a Writers' Room
Screenwriter Giula Sandler gives us advice on contributing and collaborating without being annoying.
ICYMI: A wrap of the week's arts news
$20,000 podcasting fellowship announced; National Gallery of Victoria releases 30,000 images as part of Open Access Program, plus all the…
A Lesson from Gen X women to Gen Y creatives
From mentorship to resilience, patience and power, Gen X women have learnt to navigate our male-dominated world for change –…
Why immersive works are immensely popular
Immersion challenges theatrical conventions – and raises pertinent questions around consent, reciprocity, and play.
New $5m cultural precinct opens in central Hobart
Occupying almost an entire city block, the new precinct represents a significant partnership between private developers and DarkLab, a subsidiary…
Review: Herbie Hancock, Riverside Theatre (WA)
A little less flash would have improved this concert from the Grammy-winning jazz pianist.