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The Amplify Collective

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Theatre review: Escaped Alone and What If If Only, Southbank Theatre

The MTC’s Caryl Churchill double bill is technically and dramatically sound, but doesn’t fully exploit the radical force of this…

Features

The 2023 Art Music Awards: a celebration of community

It was a night of diversity and recognition at this year’s Art Music Awards, held at Carriageworks in Sydney/Gadigal.

Opinions & Analysis

Why are we giving shows like Miss Saigon a rerun in 2023?

As the 1989 musical 'Miss Saigon' returns to stages, one can't overlook the overt racism underscoring the "classic" yet outdated…

Features

Queer and present danger: Part 2

Delve into the new millennium with Crystal Love from the Tiwi Islands and First Nations drag queen Mama MadB.

Features

Local love bolsters the National Indigenous Music Awards event

More than an awards ceremony, the NIMAs, presented in conjunction with Darwin Festival, brings Top End communities together to celebrate…

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Book review: The Days Toppled Over, Vidya Madabushi

An engaging and thought-provoking novel with a strong sense of place, memorable characters and poignant examination of connection.

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Theatre review: Hells Gates, Geelong Arts Centre

A play that set a hopeful tone in the presence of abject hopelessness and told a story steeped in texture…

Features

The daring future of sovereign Blak storytelling

ArtsHub speaks with YIRRAMBOI Festival and new First Nations theatre company A Daylight Connection, about bold and experimental First Nations…

A series of blue and white screen printed workers uniforms, arranged like a shopfront display. They feature the writing '(DON'T) BE AN ARTIST' in a newsprint style.
Opinions & Analysis

Are we missing an opportunity when we say ‘arts jobs are real jobs’?

Who are we leaving behind when we justify artist work on the system's terms? Are we missing an opportunity for…

Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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