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The Amplify Collective

Features

Queer and present danger: Part 1

The first of a three-part series exploring Australian drag queens and their part in the activism and history of the…

Features

Iconoclastic and empowered: the new wave of Middle Eastern Australian women writers

MENA women writers are gaining momentum in major literary prizes and across the nation’s bookstores, but is this movement iconoclastic?

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Theatre review: Telethon Kid, Malthouse Theatre

The moral of ‘Telethon Kid’ hangs on a precarious through line that is tarnished in this make-believe world.

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Q&A: Meet the creatives behind Tae Tae in the Land of Yaaas!

Glass slippers and pumpkins aside, Tae’s wheels of steel are roaring into this year’s Brisbane Festival with her Fairy Godmother…

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Theatre review: I Said This To the Bird, La Mama Courthouse

Performed entirely in Farsi, Dr Mammad Aidani’s bold provocation to the establishment struggles to affect.

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The "helping" hand of allyship: Indigenous art, authenticity and politics

A look at the fraught disparity between non-Indigenous arts workers and the Cultural obligations of their Indigenous counterparts, as well…

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Theatre review: Fade, Riverside Theatres

A profound critique of affirmative action and show business culture.

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Artists highlight the heightening issue of homelessness among women

Artists bring home the plight of older Australian women amid the housing crisis.

Features

Fundamentals of arts fundraising

Money is a necessary component of the artistic journey for creatives, which is why getting arts fundraising right is critical.

Features

West Space celebrates 30 years with Unison

West Space’s latest exhibition celebrates 30 years of operation and re-presents the past work of key figures in conversation with…

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