review
Exhibition review: Kayannie Denigan, Belconnen Arts Centre
‘Reflections of Country’ creates a space for Aboriginal women to connect with audiences and share their perspectives.
Exhibition review: Two Girls From Amoonguna, ACMI
‘Two Girls From Amoonguna’ is about pushing through adversity and alchemising it into art that speaks to the spirit and joy of life…
Exhibition review: Between Waves, ACCA
The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.
Film review: Audrey Napanangka
This Australian documentary of Audrey Napanangka provides an expansive yet intimate portrait of a family living between two worlds.
Theatre review: Is God Is, Melbourne Theatre Company
An enthralling fusion genre revenge tragedy highlighting Black excellence in theater.
Theatre review: Exiles, fortyfivedownstairs
Bloomsday’s adaptation of James Joyce’s ‘Exiles’ is a fascinating exploration into fidelity, monogamy and disentangling their conflation within the institutional…
Book review: The Albatross, Nina Wan
An understated debut novel featuring tandem timelines, unresolved tension and well-controlled prose.
Exhibition review: The McClelland Collection, McClelland Gallery
An exhibition with engaging highlights, but not without its flaws.
Book review: Fat Girl Dancing, Kris Kneen
An achingly honest memoir of otherness, queerness and embodied becoming.
Exhibition review: Renee So: Provenance, MUMA
Renee So’s first museum survey presents the breadth of her practice and research, with captivating works at every turn.