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Exhibition review: Renee So: Provenance, MUMA

Renee So’s first museum survey presents the breadth of her practice and research, with captivating works at every turn.

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Exhibition review: TIME • RONE, Flinders Street Station

Rone’s most ambitious project to date presents captivating storytelling that blurs the boundaries between reality and illusion.

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Book review: T, Alan Fyfe

A novel lifted beyond the ordinary by the skill in its telling and the powerful use of a pertinent snippet…

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Theatre review: The Great Australian Play

A patchily amusing, occasionally probing satire on Australian myth-making.  

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Exhibition review: Cobi Cockburn

Finding new rigour in a signature practice, glass artist Cobi Cockburn pulls off a stellar exhibition that is demanding of…

View of Gay Hawkes exhibition at Tasmanian Museum and Art Gallery 2022.
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Exhibition review: Gay Hawkes, TMAG

In her first public gallery exhibition at 80, Gay Hawkes demonstrates resilience to keep making art post bushfire tragedy.

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Book review: If We Were Villains, ML Rio

A slow-burning, Shakespeare-drenched, dark academia mystery.

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Exhibition Review: John Olsen Goya's Dog, Ngununggula

A fresh take on touring iconic artist John Olsen, adding regional connections

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Opera review: The Phantom of the Opera

Delivering steroid-size spectacular wow and performances to match, this year's Handa Opera on the Harbour hits the highs.

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Exhibition review: Blanche Tilden, Ripple Effect

This exhibition reinstates jewellery as a living artform, riding out a dance between the hand-made and the machine-made.

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