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Nikki Shiels and Pamela Rabe in Rebecca at the MTC. Image: Pia Johnson.
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Rebecca review: a dark and deathly dream at the MTC

Anne-Louise Sarks cuts a little too much meat off the bone in Rebecca, but Nikki Shiels excels as always.

Jane Harper. Image: Pan Macmillan.
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Last One Out by Jane Harper review: moving and memorable

Jane Harper's Last One Out portrays a town under siege and is not to be missed.

Artist Archie Moore creating Kith and Kin 2024 at the Gallery of Modern Art (GOMA). Image: N Umek © QAGOMA.
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Archie Moore: kith and kin at GOMA offers solemn testimony

With a Golden Lion from the Venice Biennale, kith and kin brings home an inalienable truth of the suffering upon…

Bri Lee. Image: Saskia Wilson. Simon & Schuster.
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Seed review: Bri Lee is back

Lee’s second novel, Seed, might have readers turning pages more for the fate of the planet than the fate of…

Job. Image: Sarah Walker.
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Job review: a riveting psychological thriller at Red Stitch

You can expect to be thinking about Job, by Max Wolf Friedlich, long after the curtain falls.

Troy. Image: Pia Johnson. Best and worst theatre in 2025.
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Troy review: a mythical marvel at the Malthouse

Straddling mythology and today’s brutal truths, the Malthouse production of Troy towers mightily.

Congratulations, Get Rich! Image: Stephen Henry.
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Congratulations, Get Rich! review: ghosts, trauma, culture and karaoke

Congratulations, Get Rich! is a bold new work by Merlynn Tong exploring mother-daughter relationships, multigenerational trauma and legacy.

Back to Bilo. Image: Morgan Roberts.
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Back to Bilo review: the Nadesalingam family's story steals the show in Brisbane

Back to Bilo is a powerful piece of theatre with connection, care and community at its core.

Life is a Dream. Image: Belvoir.
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Life is a Dream review: a classic comes alive at Belvoir

Segismundo has spent his life in his bedroom, unaware he's the prince of Poland, in Life is a Dream.

Toni Jordan, author of Tenderfoot. Image: Hachette Australia.
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Tenderfoot review: Toni Jordan's engrossing page-turning saga

Tenderfoot is told from the point of view of 12-year-old Andie Tanner as remembered by her very much older self.

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