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MAMA CEO Blair French and 2024 National Photography Prize guest judge Nici Cumpston standing next to ‘Four Days Before Winter’, a series of work by Ellen Dahl. Photo: Jeremy Weihrauch. The photos are displayed in varying scales in a dim gallery space, showing flowing hills.
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Landscape work that encourages ‘concentrated looking’ wins 2024 National Photography Prize

Ellen Dahl takes home the $30,000 National Photography Prize with lens-based works that centres the Norwegian archipelago, Svalbard.

‘Melbourne Out Loud: Life through the lens of Rennie Ellis’ installation view at State Library Victoria. Photo: ArtsHub. A large double-channel video screen in a dim gallery space showing two photographic images. The one on the left is of an elderly man sitting beneath the sun topless, and the right is of a figure wearing a green floral dress with a hat covering the head, lying on the sand.
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Exhibition review: Melbourne Out Loud: Life through the lens of Rennie Ellis, State Library Victoria

A photography exhibition that transports a slice of life from the 70s and 80s to State Library Victoria.

Emil Cañita. A gloryhole made from a timber board reveals a seductive half-opened mouth with red lipstick and framed by black lace.
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At First I was Afraid: intimate and vulnerable photographs pay tribute to William Yang

Yang's works inspired Emil Cañita, who will soon be presenting their first solo exhibition at MARS Gallery.

'ICONS' featuring major works by Steve McCurry. Photo: Supplied.
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Steve McCurry's photos that spotlight people during conflict return to Australia

The US photographer is renowned for works with real-life impact, including the 1984 'Afghan Girl' portrait. Now his exhibition is…

Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
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(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
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Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

PHOTO 2024. Image is a sole person in a gallery space looking at a huge wall covered in photographic images.
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PHOTO 2024 program revealed with photography trail in the CBD and beyond

The biennial photography festival PHOTO 2024 will present free outdoor art trails and cornerstone exhibitions, including a number of world…

Paul Knight. Image is a large empty gallery save for one photographic image on a wall. There are different yellow planes jutting out from the walls.
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Exhibition review: Paul Knight: L'ombre de ton ombre, MUMA

Paul Knight’s solo exhibition brings into focus the role of chance in human connection.

‘Photography: Real and Imagined’ Image is a grey walled gallery with one woman looking at four photographs on the back wall and grey plinths under glass showcases in the foreground with more work on them.
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New look at photography

Bringing together works from the NGV collection over nearly 140 years, ‘Photography: Real and Imagined’ considers the depth and breadth…

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Exhibition review: Hoda Afshar – A Curve is a Broken Line, AGNSW

This exhibition is the artist's first major solo and lives up to the visual and contextual depth of her works.

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