Malthouse Theatre
Malthouse Theatre eschews naturalism in its 2025 season
Addressing the cost of living and leaning into the theatrical, the Malthouse’s new season promises the epic and the intimate…
Theatre review: Apologia, Malthouse Theatre
Reality and surrealism collide in one woman's fantasy of wanting to be a French actress.
Theatre review: Macbeth (An Undoing), Malthouse Theatre
The Scottish play returns with a few modern twists and a (muddled) feminist focus on Lady Macbeth.
Theatre review: The Hate Race, Malthouse Theatre
Maxine Beneba Clarke's memoir receives a poignant and powerful adaptation.
Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre
First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.
Performance review: Hour of the Wolf, Malthouse
This choose-your-own adventure (again) is the Malthouse's latest immersive production.
Dance review: 4/4, Merlyn Theatre
Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.
Theatre review: Telethon Kid, Malthouse Theatre
The moral of ‘Telethon Kid’ hangs on a precarious through line that is tarnished in this make-believe world.
Theatre review: Loaded, Malthouse Theatre
A freewheeling, caustic monologue performed with feverish intensity by the spellbinding Danny Ball.
Theatre review: Made in China 2.0, Malthouse
What's the role of the artist if not to provoke and to challenge?