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A young man and two young women wearing casual clothes.
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Theatre review: Love, Old Fitz Theatre

An intense fusion between location and production.

A man on stage with a guitar.
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Music review: New Order, Summer on the Forecourt, Sydney Opera House Forecourt

Legendary English band New Order hit the spot with their first Sydney show in half a decade. 

women with dark hair and white dress expressively performing on stage. PJ Harvey
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Music review: PJ Harvey, Sydney Opera House Forecourt

Not just a concert, PJ Harvey offered a performed music experience.

Five people on stage in David Williamson's 'The Removalists".
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Theatre review: The Removalists, Southbank Theatre

Over 50 years later, David Williamson's play is restaged by Melbourne Theatre Company.

Trio Da Kali played as part of Chamber Landscapes 2025 'Horizon' and 'Dialogue in Sound' at Adelaide Festival 2025.
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Music reviews: Horizons Chamber Landscapes 2025 and Dialogues in Sound, Adelaide Festival 2025

A concert that offered hope for the world and a rousing musical statement in a gilded Victorian concert hall.

L-R: Soprano Claire de Sévigné and clarinettist Lloyd Van’t Hoff made beautiful music together at Adelaide Festival 2025.
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Music review: Daylight Express, Elder Hall, Adelaide Festival 2025

Six exquisitely fashioned gems as part of a two-week series of lunchtime recitals at Elder Hall, The University of Adelaide.

BEASTIES is back with free fun in NSW for 2025

After a first run with an opening night that saw a 45-minute queue form around the block, BEASTIES returns for…

Three women. One is seated in the middle with yellow yarn. The other two gather around her.
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Theatre review: Macbeth, Roundhouse Theatre, La Boite Theatre

Seen via the lens of the prophetic three witches, a reimagined 'Macbeth' offers much promise, but fails in its vision…

An earlier iteration of 'Space-Out Competition' in Seoul. The free, participatory game comes to Melbourne for RISING 2025.
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RISING launches full festival program for June 2025

Melbourne’s winter festival RISING is “proudly challenging and uncompromisingly inclusive,” according to its co-Artistic Directors.

A man in drag on stage. There is a band behind him.
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Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival

Two Adelaide Festival shows look to the past, but with varying degrees of success.

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