Exhibition
Exhibition Review: Michael Cook Natures Mortes at Andrew Baker Art Dealer (QLD)
First Nations photographer Michael Cook takes a spin on a Dutch Old Masters aesthetic in a new series that weaves…
Exhibition Review: William Yang, Seeing and Being Seen, QAG
Celebrating the flaws in real life lived, one feels equally a voyeur and a participant in William Yang's narratives.
Exhibition Review: Rebecca Belmore, Griffith University Art Museum
Belmore's work positions the viewer as a witness and encourages us all to face what is monumental, and a shared…
Luke Cornish on the recent censorship of his work and COVID racism
Three recently censored artworks again raise questions over COVID-fuelled racism, and the flipside, social media bullying and the lack of…
Exhibition offers long overdue spotlight on Torres Strait Island art
Artist Brian Robinson has curated an extensive look at the art from Torres Strait Islands, connecting distant shores to Newcastle’s…
Exhibition Review: Nicole Ellis, ANU Drill Hall Gallery
This superb survey exhibition by Sydney artist Nicole Ellis takes a rigorous look at abstraction through the mediums of fabric…
Exhibition Review: Mervyn Bishop, National Film and Sound Archive
Australia's first Indigenous photojournalist Mervyn Bishop helped shaped Australian narratives. This exhibition looks at 60-years of his iconic images, as…
Q&A: Indigenous Artist Tony Albert on appropriation, identity and Margaret Preston
Using vintage Aboriginal-styled fabrics, artist Tony Albert's new work sits in conversation with Margaret Preston's iconic linocuts and asks the…
Urgency and care: the flag markers of contemporary exhibition making
From a longing for home to a national snapshot of the new, two exhibitions explore care and belonging from a…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…