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Laure Prouvost, ‘Gathering Ho Ma, The glaneuse’, 2023, installation view at ACCA. Photo: ArtsHub. An installation of many components include a makeshift camp with red dirt and branches, seats, a hanging lightbulb shaped like a breast.
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Exhibition review: Laure Prouvost: Oui Move In You, ACCA

Layers of storytelling and humour that leave viewers wanting more.

black and white sculpture made from ceramics and twine. Danish Quapoor.
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Exhibition review: good grief, Danish Quapoor, Pinnacles Gallery

Ambitious and confident, Danish Quapoor's cohesive exhibition was four years in the making.

Nani Puspasari. Image is a ceramic of an orange creature with a facemask like appearance, little legs and arms.
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Exhibition review: Nani Puspasari, Manningham Art Gallery

Chinese-Indonesian artist Nani Puspasari weaves a vibrant universe between childhood and adulthood.

Exhibition view of hanging organic paper paintings. Neoterica
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Exhibition review: Neoterica, Adelaide Festival

20 artists and 20 writers commissioned in a celebration of South Australian contemporary art.

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Exhibition review: Ten Thousand Suns, 24th Biennale of Sydney

An exhibition shaped by global connections and new learnings – a refreshing edition of the Biennale of Sydney.

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Exhibition review: Adelaide Biennial: Inner Sanctum, AGSA

Forcing a rethink of how we view exhibitions, José Da Silva's Adelaide Biennial plays off our 'Inner Sanctum'.

Installation of glass in gallery setting. Yhonnie Scarce.
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Exhibition review: Yhonnie Scarce: The Light of Day, Art Gallery of WA

A survey exhibition that reveals obscured histories and difficult truths in quiet, yet spectacular ways.

Orange glazed ceramic sculpture in orange painted gallery. Mai Nguyen Long
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Exhibition review: Mai Nguyễn-Long, Kôgábịnô, Wollongong Art Gallery

Claiming agency over lost identity and language, Mai Nguyá»…n-Long delivers a cohesive and confident exhibition of ceramic sculptures.

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

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