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O,D,E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.

The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.

La Bohème review: now relocated to 1930s Berlin at the Sydney Opera House
La Bohème is an operatic classic that still charms, but shows its age.

The Marriage of Figaro review: a favourite returns to Sydney Opera House
The Marriage of Figaro, Mozart's classic comedy, is never boring thanks to Opera Australia.

Rusalka review: a near-perfect staging of Dvořák's most famous opera
Opera Australia’s new production of Rusalka is opera at its enchanting best.

Carmen review: a new look for a classic opera at Sydney Opera House
One of the most famous operas of the 19th century gets a 21st century makeover.Â

Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.

Opera review: Samson & Delilah, Palais Theatre
Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.

Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.

Opera review: Innocence, Festival Theatre, Adelaide Festival
A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.