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Can we ever make waste-free art?
From upcycling to reducing packaging, artists look at how they can limit the damage their work does to the environment.
ICYMI: The week's art news in brief
OzAsia Festival receives SA Tourism award, Sydney Modern Project kicks off with groundbreaking ceremony, major Louise Weaver exhibition unveiled, plus…
New $100,000 Generations Fellowship open to contemporary musicians
In a new industry partnership, Powerhouse Museum is calling for early career musicians to apply for a suite of Fellowships…
Artist Jim Lambie rethinks our world to the beat of disco music
A bunch of carrots, sunglasses and even an old railway sleeper, offer a punchy rethink of painting in a new…
Four year funding applications submitted: what next?
After a gruelling application process, the 162 organisations invited to apply for four-year funding from the Australia Council for the…
Learning from our art mistakes (from the archives)
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what…
Gui Shu (Belong), PICA (WA)
This multi-layered show offers a series of interesting experimentations but leaves the audience with questions unanswered.
Applause: Latest funding and awards announced
OzAsia Festival honoured at SA Tourism Awards, Joel Adler wins big at Sculpture by the Sea, Sydney actor and artist…
Collecting Comme, National Gallery of Victoria (VIC)
Drawing from more than 40 collections, the NGV’s exhibition showcases the iconoclastic designer’s work and philosophy.
Women in Vogue, National Portrait Gallery (ACT)
The most revealing thing about this exhibition is how white Vogue Australia has been for most of its 60 years.
