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Review: Emerald City, Southbank Theatre (VIC)

David Williamson’s hilarious 1987 satire receives a rip-roaring revival by Melbourne Theatre Company and Sam Strong.

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Book review: Agent Running in the Field by John le Carré

A great spy story from a master of the craft.

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Review: Not Today’s Yesterday, Kingston Arts/Asia TOPA (VIC)

This one-woman show is a politically charged and seductive performance, wrapped up in the innocence of a fairytale.

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Review: Howl, R.C.C. 2020, Art Gallery of South Australia

A parade celebrating famously subversive art becomes a parody of subversion.

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Review: Ben Folds with The Queensland Symphony Orchestra, QPAC (QLD)

Folds travels the geography of the piano at high speed, contributing convincing grabs of colour, spidery finger flurries and gliss

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Review: Samsara, Arts Centre Melbourne/Asia TOPA (VIC)

Both sumptuous and ascetic, Samsara is a contemporary dance duet that embodies the best elements of India and China’s special…

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Review: Penelope Sleeps, Carriageworks (NSW)

An intriguing, highly elliptical account of Penelope's experience of waiting for her husband, Odysseus, to return from the Trojan War.

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Review: John Prince Siddon: All Mixed Up, Perth Festival (WA)

An electrifying solo exhibition by Walmajarri artist John Prince Siddon, All Mixed Up lives up to its title in spectacular…

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Review: Monster Theatres – 2020 Adelaide Biennial, Art Gallery of SA

This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw…

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Review: Misfit – Collage and Queer Practice, National Art School/Mardi Gras (NSW)

The exceptionality of queer experience is on glorious display here with jagged wit.

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