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Much Ado About Nothing review: belly laughs and barbs from the Bard
Shakespeare’s mid-career comedy is given a gleeful airing in the MTC’s first new staging of the work in 30 years.
Amyl and The Sniffers and Ninajirachi top the 2025 ARIA Awards
Amyl and The Sniffers won four awards from the band's six nominations at last night's ARIA Awards in Sydney.
How to hone a passion for writing into an industry-ready practice
The University of Queensland’s Master of Writing, Editing and Publishing provides writers of every medium with the skills and connections…
Creative Australia Awards 2026 recognise arts practices from poetry to punk rock
Twelve artists – across disciplines including dance, literature, community arts and contemporary music – are recognised in this year’s Creative…
The Hiding Place review: a wicked satire of modern life
In Kate Mildenhall's crime novel The Hiding Place, being a good person is harder than you think.
Silence is my Habitat: Jessica White's essays are a powerful search for connection
In the moving non-fiction collection Silence is my Habitat, Jessica White considers the impact of deafness and environment on her…
Burnie Arts opens after $20.5 million redevelopment
The redevelopment of the original 1976 civic centre was carried out while staff kept working in the building and exhibitions…
Titus Andronicus review: a deep cut of the Bard's bloodiest revenge play
Taking on the Titus Andronicus is no easy feat, though this impressively scaled Theatre Works production takes a good stab…
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
AusArt Day, first ever government-backed giving day for the arts: was it a success?
Billed as an important new initiative to boost arts philanthropy, Creative Australia’s inaugural AusArt Day achieved mixed results.
