National
Theatre Review: The Pulse, Gravity and Other Myths (Adelaide Festival)
Adelaide’s contemporary circus powerhouse return to the stage with a bold new work that is unlikely to have been made…
The Audio Tour has just been reimagined: we tell you how
The audio tour just got better, with cinematic sound and location-aware technology, the WA Museum’s Gogo app by Art Processors…
Theatre Review: Young Frankenstein, Hayes Theatre
This often nonsensical pastiche of a show features great production and an eight-person cast work hard for their money –…
ICYMI: The week's top news in the arts
Collingwood Yards set to open, Art Month Sydney in swing, proppaNOW survey, Aus Ballet goes digital, Young Writers Fellowship on…
Exhibition Review: A Forest of Hooks and Nails, Fremantle Arts Centre (Perth Festival)
A Forest of Hooks and Nails is a joyous exhibition about the art of hanging art, writes Ted Snell.
Lighting the FUSE on an explosion of community creativity
Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…
Theatre Review: Grand Gesture, La Mama Theatre
Grand Gesture robustly satirises the romantic narrative.
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Are we ready for cultural climate change?
What should we take with us from COVID? In a year when everything changed, Shantel Wetherall looks at how we…