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Review: Cunning Little Vixen, State Opera (SA)

A rapturous affirmation of life, love, and opera, with surprisingly contemporary themes.

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Review: Fond Farewells – Master Series 3, Adelaide Symphony Orchestra

Classical music’s newest rock star gives a dazzling performance in Adelaide.

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Review: Sally Smart The Violet Ballet, ACE Open

In a cross-cultural colonial collision, 1920s avant-garde dance is brought to the fore of 21st century making at the hands…

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Make your mark in Adelaide with a new $240,000 public art commission

Expressions of Interest are now invited for this significant opportunity to install an iconic artwork in the heart of the…

Features

Exit interview: Geordie Brookman, State Theatre Company SA

Brookman looks back on the challenges and highlights of his term as Artistic Director after seven years at the company’s…

News

$129 million boost to Adelaide's cultural economy

$85M to new Aboriginal Art Gallery, a $9M boost towards construction of The Heysens, a $3M boost for Carrick Hill…

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Review: Counting and Cracking, Adelaide Festival

A marvellous production of an epic, exhilarating and deeply moving play.

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Review: The Magic Flute, Adelaide Festival

Barrie Kosky’s fantasy Flute is an Adelaide Festival highlight.

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Review: Out of Chaos, Gravity & Other Myths, Adelaide Festival

One of Australia’s most exciting circus companies finds the sweet spot between the intimacy and ambition of previous works, resulting…

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Review: Un Poyo Rojo, Adelaide Festival

Virtuosic dance meets playful yet pointed critique of machismo in this engaging but sometimes problematic Argentinean production.

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