Three state operas unite for feminist La Traviata

Director Sarah Giles and Opera Queensland’s Patrick Nolan discuss the themes of their new opera and explain why it is being staged as a co-production.
A woman sits with her back to us, an ornate dress spread out on the floor around her; we can see her face reflected in a large mirror sitting opposite her.

‘The thing that I’m always fascinated by is looking at the politics of now through the prism of another era. And given how politics are going at the moment, I think looking backwards is actually incredibly useful,’ said Sarah Giles, the director of a new production of La Traviata opening in Brisbane this week.

Verdi’s 1853 opera about a consumptive courtesan (a high class sex worker) is consistently named as one of the ten most popular operas in the world, but what does it have to say about the contemporary world?

Unlock Padlock Icon

Unlock this content?

Access this content and more

Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts