Theatre
Mary Said What She Said review: a stunning solo act
Acclaimed French actress Isabelle Huppert is hypnotic as the doomed Queen of Scots in this Adelaide Festival production of Mary…
This Narungga-led First Nations performance will premiere in India in a historic cultural exchange
This month, Indigenous Elders and artists travel to Chennai to debut GUURANDA x KMMC – and you can livestream it in Australia.
Sydney Fringe 2026: Australia’s fastest-growing indie arts festival wants your show!
Got an idea for a show? Sydney Fringe can help you put it in the spotlight – and creatives across…
Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe
Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…
The Cherry Orchard review: a Korean take on Chekhov at Adelaide Festival
Australian expat Simon Stone returned to Adelaide with an adaptation of Chekhov’s final play, The Cherry Orchard, set in contemporary…
Scenes from the Climate Era review: WA Youth Theatre tackles hope and purpose at Perth Festival
Climate change is a difficult topic to bring to the stage, but the young performers in Scenes from the Climate…
My Brilliant Career wins Australia’s richest playwriting prize at AWGIE awards
The MTC's musical adaptation of My Brilliant Career has won the $120,000 David Williamson Prize for Excellence in Writing for…
The Art of Storm-Whistling: a mythical maritime story at Adelaide Fringe
The Art of Storm-Whistling follows a mythical journey across the seas.
Team Viking review: a hilarious, heartbreaking and healing masterpiece
The remarkable Team Viking was one of the standouts of the Adelaide Fringe opening weekend.
The Doll Trilogy review: Red Stitch makes a marathon feel like a sprint
My word, she’ll be right… Ray Lawler’s pioneering The Doll Trilogy still makes for a stimulating day (and night) in…