Reviews
Review: Bodies of art: Human form from the National Collection, NGA
NGA Director Nick Mitzevich’s maiden exhibition traverses gender, genre and history when it comes to describing the body by putting…
Review: The Wolves, Belvoir
The most powerful aspect of The Wolves is the dissonance between admiring the physical skills and focusing in on the…
Review: Zebra and Other Stories, by Debra Adelaide
Adelaide’s sharp, casual, to-the-point sentences are both silently aesthetic on the page and a pleasure to read aloud.
Review: The Rise and Fall of Little Voice, Darlinghurst Theatre Company
A production designed with care and featuring performances pitched to bring the audience into the cacophony that fills the silences…
Review: Become the One at Gasworks, Midsumma Festival
A tragedy representative not only of queer athletes and their partners but of the Australian Football League's persistence in modelling…
Review: Borrowed Scenery, Campbelltown Arts Centre
A regional gallery rethinks its collecting future by commissioning a gender audit, and dives deep into timely narratives about its…
Review: Dorian Gray Naked, Limelight On Oxford
A flamboyant, gripping and compelling production in which Oscar Wilde's fictional character confronts his creator in a fractured afterlife.
Review: DivaLicious - Defying Gravity, FRINGE WORLD
If you like bawdy humour and good singing, this is an act you must not miss.
Review: Underground Railroad Game, Malthouse Theatre
Arresting and unmissable production ripe for our times.
Review: The Iliad Out Loud, Sydney Festival
After 2800 years surely you can’t be accused of dropping spoilers.