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Book Review: Ordinary Matter by Laura Elvery

In this book, Elvery cements her reputation as an author with a strong command of language, style, and suspense, while…

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Review: Wonnangatta, Sydney Theatre Company

A sense of the open, of fear, and of the possibility of danger pervades this mysterious and emotional production.

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Review: If the future is to be worth anything, ACE Open

Curated by Patrice Sharkey and Rayleen Forester, this is an ambitious survey exhibition of contemporary arts in South Australia.

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Review: Natsuko Plays Beethoven, ASO

Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.

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Book Review: Truth Bomb by Abigail Crompton

Bringing together 22 strong, resilient and determined female voices from around the world, Truth Bomb is a homage to the…

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Review: Van Gogh Alive, The Royal Hall of Industries, Sydney

If you can get past the mental roadblock that this is not an exhibition of Van Gogh's paintings but a…

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Book Review: Bad Boss by Michelle Gibbings

With Bad Boss: What to do if you work for one, manage one, or are one, Michelle Gibbings demonstrates a…

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Book Review: The Language of Butterflies by Wendy WIlliams

This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures…

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Book Review: Having and Being Had by Eula Biss

Using her own experiences as a lens, Eula Biss interrogates our psychosocial relationships with money, wealth and consumption.

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Book Review: Show Me Where it Hurts by Kylie Maslen

Kylie Maslen’s 'Show Me Where it Hurts' is a provoking and much-needed contribution to the conversation about invisible illness.

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