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An old manuscript.
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Exhibition review: World of the Book, State Library Victoria 

State Library Victoria’s paradise for bibliophiles turns 20 in exquisite style.

On the left against the gallery window is some dried grass installation. On the right on the walls are three panels of botanical artwork.
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Exhibition review: Michelle Van Eimeren: Imbue, CBD Gallery 

Delicate artwork that plays at the intersection of nature and memory.

Two men and two women in casual clothes on stage, singing.
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Performance review: Being Alive: The Music of Stephen Sondheim, Hayes Theatre

A show for fans of Stephen Sondheim and musical theatre.

A woman in a red top i staring down at a man who is on the ground surrounded by debris.
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Theatre review: Blackbird, KXT on Broadway

A harrowing play about the loss of innocence.

hyperreal sculpture of woman in bed in gallery setting. QAGOMA
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Exhibition review: Wonderstruck, QAGOMA

A curated blockbuster from the basement that places interactivity central.

Two panels. On left is a black and white photo of a man with his hand across his mouth. On the right is the cover of a book, 'Autocorrect' which features an illustration of a falling squirrel.
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Book review: Autocorrect, Etgar Keret

Etgar Keret is back with 33 short stories about life, the universe and everything in between.

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Performance review: Elements of Freestyle, Joan Sutherland Theatre, Sydney Opera House

A fusion of urban arts and classical music with multigenerational appeal.

A glamorous woman in a pink silky gown sits in front of a mirror putting her earrings in. Aphrodite.
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Opera review: Aphrodite, Carriageworks

A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.

A young man looks shocked while another youth shouts at him in the background. A scene from Lunatix Theatre's 2025 production of 'Blackrock' at The MC Showroom.
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Theatre review: Blackrock, The MC Showroom

Nick Enright's 'Blackrock' is sadly as relevant today as it was in 1995 when it was first performed.

A fair-skinned woman, wearing black shorts and a black waistcoat, stands in a constricting shroud of paper (perhaps representing paperwork) on a bare, industrial-looking stage. This is Andi Snelling in her solo show 'Happy-Go-Wrong' at fortyfivedownstairs.
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Theatre review: Happy-Go-Wrong, fortyfivedownstairs

This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.

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