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We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
We’ve asked some of the leading podcast producers from The Guardian, Sisteria and RRR to share their favourite podcast picks of 2019.
This week at the box office brings a spooky alternative to animated princesses while The Good Liar goes bad, and more.
We look at some of the best games from Australia and New Zealand released in 2019 – there are plenty to choose from.
As the climate crisis deepens, should Australian arts organisations reject sponsorship and donations from the fossil fuel sector?
As the demand for accessible tours increases, museums are adapting by developing multi-sensory aesthetic experiences.
Advice from business leaders on asking governments for money, embedding culture in the political agenda, and getting the language right when you come to the table.
This week in the box office promises old school mysteries and frosty adventures. How did Australian films do?
Finding her way to a film career through a love of street art, this director gives good advice to others lacking the confidence of traditional pathways.
Film prop maker, Hannah Crosby busts some of the myths about making artwork for the silver screen.
The Hon Paul Fletcher faced delegates at the Creative Regions National Summit yesterday in Canberra. This is how he responded to their pressing questions.
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Reading and writing can prevent cognitive decline.
Based in the regional NSW city of Albury, the Flying Fruit Fly Circus has become a remarkable Australian success story.
Matchbox Pictures has a grand gala night in New York.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
For ten years a program has supported over a hundred Indigenous curators and artists in a collaboration between the National Gallery of Australia and Wesfarmers.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Instead of a single artistic director, the 32nd New Zealand Festival of the Arts features three high profile curators, Bret McKenzie, Laurie Anderson and Lemi Ponifasio, each programming a separate week.
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