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Showing all news in Career Advice
If you’re a talented problem solver, passionate about the music industry and keen to help artists go far, then a career in artist management may be for you.
New students at our elite training institutions often have to undo the damage of bad amateur training before they can progress to professional level.
If you're organised, a good listener, good humoured and comfortable sitting with fear, being a producer might be the job for you, according to Perth Festival's Anna Kosky.
Nerves are normal and part of our human conditioning. These simple strategies can help you shine at your next audition, job interview or live presentation.
New interim directors for Montsalvat, a new CEO for No Strings Attached Theatre of Disability, board for new Arts Capital announced, and other announcements.
As 2020 closes, we look back at this article by Madeleine Dore who argues that courage more than confidence is what's needed for success in the arts. Perhaps now more than ever as we emerge from the pandemic?
Serving artists and creating a safe and welcome space for creatives of all backgrounds to work were Zara Stanhope's greatest intentions in her past role with QAGOMA, as she looks forward to her next chapter in New Zealand.
Research has shown that over 60% of recent arts visitors first attended cultural organisations as children. We revisit this topic as part of ArtsHub's 20th anniversary celebrations.
Maintaining sanity was a key theme in this year's most popular career articles as we pivoted, pirouetted and battled Zoom-exhaustion. Nurturing tender creative shoots and backing ourselves with good PR was also essential.
For ArtsHub's 20th anniversary, we look back and ask: are the arts facing the same degree of bullying, or have we become more vocal in standing up for our rights in the workplace as artists?
With an obscure title – and one totally befitting to the unique Mona brand – Elizabeth Pearce tells us about her role in creating the text that surround all things Mona, while staying in sync with David Walsh's mantra for no bullshit.
With a regional gallery pedigree, topped off by diplomatic cultural relations, Sarah Schmidt brings a unique perspective to the Canberra Museum and Gallery, that positions the gallery within a broader lens.
It's been a crappy year. Take that broken heart and make some art, says Esther Coleman-Hawkins in this ongoing series of no-nonsense advice for screen professionals.
How do you know if it's time to call it quits or to stay on? A checklist to read before dealing with your creative career challenges.
Being an ARI Director is extremely collaborative, says Rebecca Gallo, an artist and founding member of Pari, in Sydney's West. Her view is that ARIs are moving away from the pay-to-play model, and are more accountable to communities.
If you have an ear for detail, an active imagination and technical know-how, working as a sound designer and composer might be the job for you, says Daniel Nixon.
At 4A, Mikala Tai fought for the legitimacy of contemporary Asian art in the Australian context. Her success is a message of hope in our journey to diversity and global acceptance.
While Australia's international borders remain closed, it is a good time to reflect on the merits of career-based travel for this International Artist Day.
After 10 years in the role, and more than 30 advocating for the arts, Michael Rolfe is stepping down as CEO Museums & Galleries of NSW.
Why is it such a long, complicated process to admit to yourself that you’re an artist? Verity Johnson investigates how to accept and embrace your creative instincts.
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