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A gallery space with two video screens showing street scenes.
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Exhibition review: Amongst the clouds, Artspace

An interactive, multimedia experience, ‘Amongst the Clouds’ is far removed from traditional concepts of art exhibitions.

Artists from across the country will gather in Sydney for the National Indigenous Art Fair in July. The photo shows a woman looking through a stack of unframed Indigenous paintings on linen; more Indigenous artworks hang behind her.
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Remote artists to gather in Sydney for 2025 National Indigenous Art Fair

The National Indigenous Art Fair brings First Nations artists from across the continent together on Gadigal Land in July.

The CEO of the Museum of Pop Culture (MoPOP) joins a suite of speakers at the upcoming REMIX Summit, Sydney. Pictured are the main buildings of MoPOP: the architecture is inspired by the energy, movement and fluidity of the arts; a visually impactful image showing a series of interconnected buildings adorned in aluminum shingles in white, red and blue, which have a flowing, fabric-like quality to them.
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Beyond the exhibit: How Seattle’s Museum of Pop Culture is reimagining what a museum can be

The CEO of MoPOP is heading to REMIX Summit Sydney to share her insights into ways cultural institutions can stay…

An orchestra on stage with a theremin player seated at their centre.
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Music review: Theremin & Beyond, City Recital Hall

The haunting, unusual theremin collides with the Australian Chamber Orchestra in this spellbinding concert.

The company of 'Women on the Verge of a Nervous Breakdown' at The Hayes Theatre.
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Musical review: Women on the Verge of a Nervous Breakdown, The Hayes Theatre

A melodramatic musical farce set in Madrid in the late 1980s.

A scene from STC's 2025 production of Beckett's 'Happy Days'. A woman with her bottom half hidden in a mound of dirt. There's a black plastic bag next to her, and on her other side is man with his back to us, holding up a newspaper. He too is visible only from his waist up.
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Theatre review: Happy Days, Wharf 1 Theatre, Sydney Theatre Company

Lead actor and co-director Pamela Rabe shines in this staging of a classic Samuel Beckett play. 

Two Indian women in colourful saris. One is standing, one is kneeling over some woven baskets.
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Theatre review: The Wrong Gods, Belvoir St Theatre

This thought-provoking but not entirely satisfying tale by S. Shakthidharan explores the cost of progress and development in 20th century…

A man and a woman are standing and staring at each other over a kitchen table; a vase of flowers and a pair of bongo drums sit on the table. The wallpaper behind them is colourful and graphic.
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Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre

A double dose of classic Pinter plays.

Six people dressed in varying costumes of white are huddle together on stage. In the background the words 'De-Kolo-nize' are spelt out diagonally.
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Performance review: UPU, Sydney Opera House

A poetic expression of the Pacific, its people and their stories.

Bright, colour paintings on a white wall. The photo is taken on on the diagonal.
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Exhibition review: Martin Claydon: Leaves of the Brush, CBD Gallery, Sydney 

Martin Claydon's work is busy, colourful and sumptuous.

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