South Australia
SA celebrates $10.2M investment in arts sector's future
The Marshall Government has committed $10.2 million in new money to help the state’s arts industry recover from the devastating…
Review: Natsuko Plays Beethoven, ASO
Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
South Australia slowly returns to performance as usual
The first mainstage production in Adelaide post-COVID is preparing to open at the newly refurbished Her Majesty’s Theatre in September,…
AICSA calls for additional $10M government investment in South Australia
One in three people working in South Australia’s arts sector have lost their jobs because of COVID-19, meaning that government…
How indie theatre-makers are fighting back after COVID-19
Independent theatre companies in Adelaide are preparing to welcome back audiences, but how will a post-COVID world shape their programming?
Realities of regional life explored in young people’s monologues
A new collection of scripts written by young regional Australians shares their fresh perspectives with the wider theatre community.
Exit interview: Joseph Mitchell, Artistic Director, OzAsia Festival
After five festivals, Mitchell has moved onto new challenges. Just before he left, he spoke with ArtsHub about the highs…
Review: Mouthpiece, Adelaide Festival (SA)
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell…
Review: Cold Blood, Adelaide Festival (SA)
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring…