Brisbane
Review: The Tempest, Trinity Parish Hall (QLD)
Zen Zen Zo’s physical theatre interpretation of Shakespeare is compelling and immersive.
Review: L’Appartement, QPAC (QLD)
Murray-Smith’s new play examines some big moral questions with mixed results.
Review: Nicole Car in Recital, QPAC (QLD)
Intelligent, beautiful singing and playing from masters of their craft, Nicole Car, Étienne Dupuis and Jayson Gillham.
Review: The Imaginarium, The Sideshow (QLD)
Six acts look at the problem of single-use plastic from different angles.
Review: My Urrwai, Queensland Performing Arts Centre (QLD)
A genre-bending show that explores the narrative of colonialism, culture and connection with humour.
Review: Baby Bi Bi Bi at MELT Festival, Brisbane Powerhouse (QLD)
A sex-positive and playful cabaret about life as a bisexual woman.
Review: Our Place, Queensland Music Festival
A feel-good performance bringing together Digi Youth Arts, Queensland Choir, Deep Blue Orchestra and didgeribone player Tjupurru.
Review: Yank! A WWII Love Story, MELT Festival at Brisbane Powerhouse (QLD)
Despite some frustrating directorial choices, this gay WWII-era musical romance moves and fascinates.
Review: City of Gold, Queensland Theatre (QLD)
Indigenous playwright Meyne Wyatt’s debut hits the mark.
Review: Cassie Workman, Giantess, MELT Festival at Brisbane Powerhouse (QLD)
An atmospheric and deeply moving picture book brought to life, packed with wry humour and pointed insights.