Adelaide
XXX Neon Sign, Rumpus (SA)
Despite a capable performance from Dan Thorpe, the debut production from RUMPUS is disappointingly jumbled.
Review: Jasper Jones, State Theatre Company (SA)
Kate Mulvany’s adaptation is enjoyable and whimsical though it never fully confronts the story’s darker themes.
Review: A View from the Bridge, State Theatre Company (SA)
A satisfying and well-crafted production that falls short of making a splash.
Review: Faith and Beauty, Adelaide Symphony Orchestra (SA)
A fitting farewell to a very popular Principal Conductor.
Review: Boojum!, State Opera SA
A picturesque, experimental production that doesn’t shy away from Lewis Carroll’s darker side.
How to thrive, not just survive, when your company is defunded
As arts organisations across the nation await news on the Australia Council's EOI process for four-year funding, one company reflects…
Review: David Campbell is Back In The Swing Of Things, Adelaide Cabaret Festival (SA)
David Campbell swings Adelaide for one night only.
Review: The House is Live, Adelaide Cabaret Festival
The world’s biggest and best cabaret festival kicks off with a glittering opening gala.
Review: Beethoven: The Piano Concertos - Concert One, Adelaide Symphony Orchestra
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
Review: Beethoven: The Piano Concertos - Concert Two, Adelaide Symphony Orchestra
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.