Australian Capital Territory
Powerful narratives showcased in First Nations exhibition
The 4th National Indigenous Art Triennial shows for another month at the NGA before touring to connect with local communities.
How the arts excel at communicating big ideas
The distinctions between law and justice are explored in a new Street Theatre production inspired by the capture of drug…
Exit Interview: Daryl Karp AM, Museum of Australian Democracy
After nine years in the role, the Director of the Museum of Australian Democracy (MoAD) is moving on.
Preserving the memory of Australia’s performing arts heritage
Did you know Australia’s oldest surviving printed document is a theatre playbill? These and other treasures are now showing in…
Exhibition Review: Upending Expectations, Canberra Glassworks
An exhibition that pushes the reach and definitions of contemporary glass.
Exhibition review: Shakespeare to Winehouse
Over 80 portraits from 16th century to today on loan from the National Portrait Gallery London.
Triennial: a case for less is better in a complex world
Curator Hetti Perkins renews and extends our perceptions of Ceremony in her fourth Indigenous Triennial.
Delve into a weekend of festivities at the National Indigenous Art Triennial
With an opening weekend full of programming that welcomes all, the NGA’s 4th National Indigenous Art Triennial opens on 26…
Gallery carving space for Australia’s diverse young writers
The National Gallery of Australia’s digital mentorship program is helmed by those wanting to change the landscape for underrepresented arts…
Theatre review: Rosencrantz and Guildenstern Are dead, Canberra REP Theatre
An absurd play perfectly aligned with the absurdity of our times.